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Sam Chanse (Book) Plays include What you are now (Ensemble Studio Theatre and The Civilians, Sloan/EST Commission), Trigger (Lark Venturous Fellowship), Monument, or Four Sisters (A Sloth Play) (Magic Theatre), Disturbance Specialist/Out of Time (NAATCO & The Public Theater), Lydia’s Funeral Video (Kaya Press), Asian American Jesus, and The Family Album (La Jolla Playhouse, 2024 Vivace Award). A former New Dramatists Resident Playwright, two-time MacDowell Fellow, and Lark Venturous Fellow, her work has also been developed with Ars Nova, Ma-Yi Theater, Playwrights’ Realm, and the Ojai Playwrights’ Conference, among others. A native New Yorker, she was based in San Francisco for several years, when she served as artistic director of Kearny Street Workshop and co-director of Locus Arts, and developed work as a writer and performer at Bindlestiff, standup spots, and other artistic homes. TV: The Good Doctor (ABC) and Conviction (Hulu, forthcoming). She lives in Los Angeles with her daughter.
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MILCK (aka Connie K. Lim) (Music and Lyrics) is a singer/songwriter/recording artist and humanitarian who pens anthems for healing, bridge building, and freedom. Her breakout anthem “Quiet” was named a Billboard #1 protest song, NPR’s featured “American Anthems,” and a top feminist anthem of all time by Harper’s Bazaar. In 2025 Elle UK named MILCK as a top 40 Women of Hope. MILCK composes anthemic songs for film, television, and artists; from John Legend to Natasha Bedingfield. MILCK has since gone viral with another song titled “Sisters of Winter,” which is featured on the ACLU’s 2026 national campaign.
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AG (aka Adrianne Gonzalez) (Music and Lyrics, Orchestrator and Arranger) LA-based producer/Grammy-nominated songwriter/mix engineer/Broadway orchestrator AG is a powerhouse. Over here 25 year career, she has become one of the most prolific producers in the world of film and TV. AG is also in a band called The Rescues, who just opened a musical adaptation of The Lost Boys, garnering her two Tony Award nominations for Best Score and Best Orchestrations. |
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Jess McLeod (Director) is a proud second-generation Asian American, director and social justice advocate specializing in risky new plays and musicals about America. She has directed and developed work in New York and all over the country at theatres such as Second Stage (On the Evolutionary Function of Shame), Roundabout, MTC, BAM, Atlantic, P73, Little Island, Ma-Yi and regionally at Steppenwolf (The Thanksgiving Play), Goodman, Lyric Opera of Chicago, Alliance, La Jolla Playhouse, Williamstown, Berkeley Rep and Woolly Mammoth (There’s Always the Hudson), where she was also a BOLD Resident Director. 2025 Drama League TV/Film Fellow. McLeod served as Resident Director on Hamilton in Chicago for three years, Lead Curator for Roundabout’s 2023 Refocus Project, Co-Chair (with Michael Korie) of the Dramatist Guild Foundation’s Musical Theatre Fellows Program, Artist-In-Residence at the NYCLU (Creatives Rebuild NY Grantee), and a Tony Nominator from 2022-25. She grew up in San Francisco, spent a decade in Chicago after earning her M.F.A. in Directing from Northwestern, and currently resides in New York. Next up: John Proctor Is the Villain at ACT, Seattle Rep and Center Theatre Group.
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Bryan Perri (Music Supervisor) La Jolla Playhouse: Limelight. Broadway: Jagged Little Pill, Wicked, Almost Famous, Chaplin. National Tour: Next to Normal, Altar Boyz. Off-Broadway: The Lonely Few, Dogfight, Superhero, Vanities. Select Regional: Freaky Friday (Signature), Empire Records (McCarter), Starstruck (BCP), I and You (Olney). Music director for Aaron Tveit performing nationally and internationally for the last 13 years. Co-founder and resident music supervisor of A.C.T. of Connecticut and Grammy nominated for Stephen Schwartz’s Snapshots. His album Few Words - featuring all original work - is currently available on all streaming platforms, and was recently performed live in a solo concert at Carnegie Hall with Perri conducting.
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Michael Sobie (Music Director/Conductor) La Jolla Playhouse: Debut. Orchestral: Game of Thrones Live Concert Experience, Surreal (Dubai World Expo), Michael Sobie’s Rocket Man Experience. National Tours: Wicked, Les Miserables, Aida, Xanadu, Altar Boyz. Film/TV: Grace and Frankie, Rooster, Locke and Key, Christmas Story Live, Mountain Between Us, Marriage Story, Reminiscence, Wrinkle in Time, Too Funny to Fail, PBS’s Great Performances. Other credits: Gods and Monsters (new stage adaptation, composer), Hell on Earth: A New Musical (composer), and Fusion for NCL (arranger, co-creator). In his spare time you can find him painting (current exhibit: Blue Line Gallery’s Art at Work in Roseville, CA) or assembling his latest Lego build. Love to my favorite husband, Gino.
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Wilson Chin (Scenic Designer) Broadway and National Tour: Cost of Living, Pass Over (Drama Desk, Lortel, Henry Hewes Award nominations), Next Fall, Annie (starring Whoopi Goldberg). World premieres: The Untitled Unauthorized Hunter S. Thompson Musical (La Jolla Playhouse), Anne of Green Gables and Summer Stock (Goodspeed), Billie Jean (Chicago Shakespeare), SUMO (La Jolla Playhouse/Ma-Yi/Public), Freak the Mighty (Cleveland Play House/Seattle Rep), All Nighter and Space Dogs (MCC, Lortel Award nomination), The Thanksgiving Play (Playwrights Horizons), Chinese Republicans and Jonah (Roundabout). Opera: Turandot (Washington National Opera/Opera de Montreal/Dallas Opera), Lucia di Lammermoor (Lyric Opera of Chicago). @wilsonchindesign
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Hahnji Jang (장한지) they/them/형 (Costume Designer) La Jolla Playhouse: Debut. Regional: Exotic Deadly or the MSG Play (The Old Globe); The Chinese Lady (Cincinnati Playhouse and Alliance Theatre); Hurricane Diane (Huntington). Off-Broadway: My Joy Is Heavy (New York Theatre Workshop); The Keep Going Songs (Lincoln Center); On the Evolutionary Function of Shame (Second Stage); GALAS (Little Island); Islander (Playhouse 46 and Tour). Hahnji uses their passion for the fiber arts to upcycle garments and offer affordable affirming styling and costume design outside the limiting binaries of capitalism. Their current focus is @TransPunkCloset, a sustainability experiment started at Soho Rep reallocating theatre costumes to the queer BIPOC community. Hahnji.com
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Amanda Zieve (Lighting Designer) is thrilled to be back at La Jolla Playhouse after designing Working Girl, The Heart, 3 Summers of Lincoln, Velour: A Drag Spectacular, The Ballad of Johnny and June, The Untitled Unauthorized Hunter S. Thompson Musical and Put Your House in Order. Other recent designs include Proof, The Who's Tommy (Broadway); Cabaret (Goodspeed); Into the Woods, Billy Elliot, Titanic (Signature Theatre); Little Shop of Horrors (South Coast Rep); Deceived, I Hate Hamlet (Maltz Jupiter); Sweeney Todd, Roof of the World (KC Rep). Her Playhouse Associate credits include Fly, Escape to Margaritaville, Hollywood, and Hunchback of Notre Dame. Other San Diego credits include Noises Off, Ms. Holmes & Ms. Watson - Apt. 2B, English, Crime and Punishment – A Comedy, Dial M for Murder, Hair, Tiny Beautiful Things, Barefoot in the Park, Native Gardens, The Wanderers and Rich Girl (The Old Globe); SpongeBob, Follies, Natasha, Pierre & The Great Comet of 1812, Evita, Cabaret, Rock of Ages (Cygnet). amandazieve.com |
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Justin Stasiw (Sound Designer) is an NYC-based sound designer and engineer. Previously at La Jolla Playhouse: The Untitled Unauthorized Hunter S. Thompson Musical, Lempicka, Up Here. Broadway: Lempicka. Broadway (as Associate): Moulin Rouge!, Beetlejuice, Frozen, Once on This Island, Anastasia, Something Rotten!, Side Show, It’s Only A Play. Off-Broadway: Pericles, The Jonathan Larson Project, Night Side Songs, The Big Gay Jamboree, We Live in Cairo, The View Upstairs, Songbird. Regional (selected credits): 5th Avenue Theater, Asolo Rep, Berkeley Rep, Shakespeare Theater Center, ACT Theater, Ogunquit Playhouse. Justin is a proud member of IATSE and of USA/829.
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Kate Murray, CSA (Casting) is a casting director at The Public Theater in New York City, where she casts mainstage productions at The Public’s downtown home at 425 Lafayette Street, the Delacorte Theater/Shakespeare In The Park, the Public’s Mobile Unit and Public Works initiatives, readings and developments. Select Broadway: Hell’s Kitchen (Broadway & National Tour), Suffs, Fat Ham, Ain’t No Mo’, For Colored Girls… Select NY and Regional Credits: Arena Stage, BAFTA, Bedlam, Center Theatre Group, The Cherry Lane, Folger Theatre, The Geffen, The Huntington, Hudson Valley Shakespeare Festival, LAByrinth, New Georges, Studio Theatre, and Two River Theater.
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Ann James (Sensitivity Specialist) made her debut as the first Black Intimacy Coordinator on Broadway for Pass Over. Broadway credits include Cats: The Jellicle Ball, Rocky Horror Show, Ragtime, Hadestown, Proof, Little Shop of Horrors, Sunset Boulevard, A Wonderful World, Eureka Day, Sh*t. Meet. Fan., John Proctor Is the Villain, The Outsiders, Lempicka, Illinoise, Hamilton, Parade, Sweeney Todd, Heart of Rock and Roll, Jelly’s Last Jam. Off-Broadway: Cats, The Jellicle Ball, The Hippest Trip, Jonah, The Comeuppance, My Broken Language, Here There Are Blueberries, The Lonely Few, among others. La Jolla Playhouse: Working Girl, 3 Summers of Lincoln, Velour: A Drag Spectacular. Tours: Stereophonic, Parade, Here There Are Blueberries, Hamilton worldwide. James’ company, Intimacy Coordinators of Color was awarded a 2024 Special Citation from the OBIE Awards and The American Theatre Wing. James recently launched Ann James and Associates for Certified Sensitivity Specialists as well as other valued artistic and corporate partnerships. |
Michael Mindlin (Associate Director) La Jolla Playhouse: Debut! Direction and/or choreography credits include: Gypsy (North Carolina Theatre), Awesomer and Awesomer (The Triad Theatre), Beauty and the Beast (Northern Stage), Evita (Encore Theatre), All Hail The Queen (The Cutting Room). Broadway performance credits: Aladdin, Bring It On, Mamma Mia, 9 to 5, Chitty Chitty Bang Bang. Michael is currently the Associate Supervising Choreographer for the Broadway and touring productions of Hamilton. Love to LFCR, AGM & EGM |
Dean Remington (Stage Manager) La Jolla Playhouse: The Outsiders, The Ballad of Johnny and June, The Recipe, Primary Trust, The Luckiest, Annual Gala, WOW Festival. National Tours: The Lion King, Disney’s Beauty and the Beast. Regional: Outside Mullingar, Manifest Destinitis (San Diego Rep); The Outsider (North Coast Rep); Natasha, Pierre & The Great Comet of 1812, Pride and Prejudice, When the Rain Stops Falling, Every Brilliant Thing, Sharon, The Virgin Trial, The Wind and the Breeze, The Effect of Gamma Rays..., Shockheaded Peter, A Christmas Carol (Cygnet Theatre). International: Cameron Mackintosh’s Hey, Mr. Producer!, Grease, 42nd Street, Anything Goes, A Chorus Line, Meet Me in St. Louis. |
Alexa Burn she/her (Assistant Stage Manager) La Jolla Playhouse: Purpose, The Recipe, Working Girl, The Heart, Indian Princesses, Your Local Theater Presents..., Derecho, Primary Trust, 3 Summers of Lincoln. Select credits include Clyde’s (ASM) at the Denver Center; The Royale (SM) at American Players Theatre; Bald Sisters (SM) at San Jose Stage; Intimate Apparel (ASM), The Three Musketeers (ASM), Chicken & Biscuits (ASM), The Great Leap (ASM), Grand Horizons (ASM), Hood (ASM) at the Asolo Repertory Theatre; and The Code (SM) at American Conservatory Theatre SF. Alexa was also a stage manager at the Disneyland Resort for many years, working with the Disneyland Band, Dapper Dans, and many more. |
Jack Ganguly he/they (Assistant Stage Manager) is a South-Asian American stage manager based in NYC. La Jolla Playhouse: Indian Princesses. Broadway credits include The Outsiders, The Picture of Dorian Gray, Our Town. Off-Broadway: Indian Princesses, The Reservoir, I’m Assuming You Know David Greenspan, Cornelia Street, The Far Country, I’m Revolting (Atlantic Theatre Company); Gatz, Baldwin & Buckley at Cambridge (The Public Theater); Caroline, The Connector (MCC); Amahl & the Night Visitors (Lincoln Center Theater); Monsoon Wedding (St. Ann’s Warehouse); Breaking the Story (Second Stage); Public Obscenities (Soho Rep). Education: B.F.A. from NYU Tisch. Grateful to Mama & Jean. |
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